Digital Logos Edition
Anglican belief and practice allows that God communicates through his Word as well as through the beauty of his works. The trick, of course, is to keep the two sources of communication in balance. Nowhere is this balance better struck than in the writings of the atheist-turned-Anglican-clergyman Alister McGrath. McGrath takes Scripture very seriously as an unshakable source of truth for belief. At the same time, McGrath recognizes that God also communicates through art and literature. McGrath draws on these two different sources to teach us more about God and about how to live in light of what he has communicated. McGrath also offers a thoroughgoing defense of God’s existence, again drawing not only evidence from Scripture but from the beauty of creation.
Illuminated by a series of fine art paintings, Alister McGrath’s new volume seeks to engage both the mind and the imagination as he explores why the Church set its faith and hope on the extraordinary, brilliant, and bold idea that Jesus Christ is God incarnate. Poetry, prayer, and theological reflection are interwoven with commentary on the ideas conveyed through works such as Dante Gabriel Rossetti’s Ecce Ancilla Domini, Jacopo Bassano’s Miraculous Draught of Fishes, and Vincent Van Gogh’s Good Samaritan.
“The paradox of the incarnation is that God chose to subvert human preconceptions of authority by raising to the highest place one who was regarded as utterly inconsequential and insignificant by the authorities of his day. The incarnation is about the overthrow, even the inversion, of human values—not their endorsement.” (Page 80)
“The nativity, as seen by the eye of faith, is about God choosing, out of love and compassion, to enter the dark, distant and lonely place that we call human history. Rather than summon us to meet him in the heavenly places, God chose to encounter us where we are.” (Page 18)
“Contemporary rabbinic literature had much to say about people whose jobs made them virtually incapable of keeping the law of Moses. Two groups often singled out for special (negative) comment were carpenters and fishermen: carpenters, because they doubled as undertakers and were handling dead bodies all the time; and fishermen, because they had to handle and sort mixed catches of clean and unclean fish. Both groups were incapable of observing the strict rules about ritual purity which prohibited contact with anything unclean. Yet Jesus calls precisely such fishermen, men hovering on the fringes of Jewish religious life.” (Page 26)
“From the second century onwards, commentators on the birth of Christ linked the scene with Isaiah 1:3, which speaks of the ox and the ass knowing their true master and his crib. It seems that this prophetic passage was then linked with the birth of Christ, thus reminding us that the whole of the created order is involved in the birth of Christ and the new creation which will result from his incarnation, death and resurrection.” (Page 18)
Alister E. McGrath is an historian, biochemist, and Christian theologian born in Belfast, Northern Ireland. A longtime professor at Oxford University, he now holds the chair in theology, ministry, and education at the University of London. He is the author of several books on theology and history, including Christianity’s Dangerous Idea, In the Beginning, and The Twilight of Atheism. He lives in Oxford, England, and lectures regularly in the United States.
3 ratings
Stephen Williams
12/10/2021
Forrest Cole
11/9/2021
Chad Ethridge
12/8/2017