Digital Logos Edition
Perhaps no Christian writer outside the biblical canon has had a greater influence on Western thought than Augustine of Hippo. His Confessions and City of God left large marks in the philosophical landscape and are still widely read today in a range of disciplines. Edward L. Cutts’ volume on Augustine is an excellent introduction to this Church Father who continues to be relevant to anyone asking life’s greatest questions.
In the Logos edition, this volume is enhanced by amazing functionality. Important terms link to dictionaries, encyclopedias, and a wealth of other resources in your digital library. Perform powerful searches to find exactly what you’re looking for. Take the discussion with you using tablet and mobile apps. With Logos Bible Software, the most efficient and comprehensive research tools are in one place, so you get the most out of your study.
Get more accessible introductions with The Latin Fathers for English Readers (9 vols.).
Edward L. Cutts (1824–1901) was a church historian who wrote influential biographies of several early church figures, including Jerome and Constantine. He received an honorary DD from the University of the South, Sewanee.
“He traces from the earliest days the history of what he calls the City of Men and the City of God. These cities are built upon two contrary affections. Love of self, carried to the length of disregard of God, makes the City of Men. The love of God, carried to the length of contempt of self, makes the City of God.” (Page 192)
“Adam had transmitted to his posterity an inheritance of sinfulness, but that man’s will was free to choose good or evil, to receive or reject salvation.” (Page 196)
“Master of Rhetoric in Milan, Augustine held a public position of some dignity, which would at once introduce him into society.” (Page 54)
“Manichæans, but ‘settled to be content with the way he had fallen upon, unless something more eligible should dawn upon him.’” (Page 49)
“and then, and the young scholars rapidly write down the conversation, and Monica hangs upon her son’s words” (Page 79)
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